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Ground Zero: Legend of the Wulong

 

“In Egypt’s sandy silence, all alone,

Stands a gigantic Leg, which far off throws

The only shadow that the Desert knows.

“I am great Ozymandias,” saith the stone,

“The King of kings: this mighty city shows

The wonders of my hand.” The city’s gone!

Naught but the leg remaining to disclose

The sight of that forgotten Babylon.

We wonder, and some hunter may express

Wonder like ours, when through the wilderness

Where London stood, holding the wolf in chase,

He meets some fragment huge, and stops to guess

What wonderful, but unrecorded, race

Once dwelt in that annihilated place.”

 

Ground Zero: Legend Of The Wulong is a planned animation

series set an undisclosed length of time (hinted that it is over

a thousand years) after a mysterious ‘hyper-war’, which ‘turned

all the great cities to glass’, ‘burnt up all the good grass’, rendered a

third of the Earth uninhabitable, and ‘scorched the sky’. We

are left to infer that this was a tactical nuclear holocaust. But

despite the horrifying similarity of these events to the

Apocalypse described in the Book of Revelation, the earth

endures, albeit crippled, and many have fallen into disbelief.

 

Only one great city remains – ‘Nihon’, which calls itself

Infinity Babylon, because it endures when prophecy should

have seen her burnt up by fire. She is the last stronghold of

civilisation in a world inhabited by only a few million filthy

barbarians who scrape a living in feudal-level villages, trying

to coax the almost dead topsoil into producing crops. But is it

feudal-level, or feudal-ERA? Why is it said that Infinity Babylon

is ‘fleeing back in time’ to escape the hyper-war which is still

raging somewhere in space and time? Exactly which real-world

city Nihon represents is never revealed, but it could be Rome,

London, Brussels, or even Rio De Janeiro. Nihon, knowing that

its limited resources cannot possibly support the entire planet,

devise an ingenious plot to ensure the unwashed masses will

not come beating at the city’s gates – they will persuade the people

that Nihon is the true Mount Olympus – a home of the gods,

which mortals cannot look upon and survive. They send out their

agents – the Wulong/Dark Dragons – amongst the people,

pretending to be gods and demons, priests and wizards, using

advanced technology (contained within exo-suits which allow

them to travel safely through the rad zones) to convince the

common people that they had godlike powers. Some succumb

to the temptation of worship by the people and ‘go native’,

often becoming so deceived that they believe their own

façade of deity.

 

Others find the entire practise of the ‘mask of godhood’

repulsive, and roam the land, seeking to convince the other

Wulong that the divinity cult is a damnable heresy

masquerading as a necessity… or kill them if they

will not repent.

 

STATUS: As of (28/08/05), I have prepared a number of character

sketches, primarily for anti-hero Psalter. I have also written a

number of treatises exploring the economic, military, civilian,

and religious aspects of life in Nihon Infinity Babylon

 

CHARACTERS:

 

Main Characters:

Shau’ul – The main character. He has become dissatisfied with the mask of godhood, and now seeks to expose his fellow Wulong.

Cephas – A Wulong who is trying to find his son in the Wasteland outside Nihon.

Tomas –  Starts off an ‘evil’ Wulong who accepts worship from the people, but soon joins Shau’ul and Cephas in their mission to expose the false ‘gods’ of Nihon.

Psalter – A troubled young Exile from Wulong who has come to believe he is the God of death.

 

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